
|
Oil
Portraiture
(on hardboard or canvas) |
Size
|
Fees*
|
| Head and Shoulders |
16x20
|
$
1,800
|
| Head and Shoulders |
18x24
|
$
2,100
|
| Waist Up 3/4 view (including hands) |
18x24
|
$
2,400
|
| Waist Up 3/4 view (including hands) |
20x24
|
$
2,700
|
| Waist Up 3/4 view (including hands) |
24x32
|
$
3,200
|
| Full Figure |
24x36
|
$
3,600
|
| Full Figure |
36x48
|
$
6,000
|
|
Charcoal
Portraiture
(on hardboard or rag paper) |
Size
|
Fees*
|
| Head and Shoulders |
11x14
|
$
190
|
| Head and Shoulders |
16x20
|
$
300
|
| Waist Up 3/4 view (including hands) |
16x20
|
$
450
|
| Waist Up 3/4 view (including hands) |
18x24
|
$
540
|
| Full Figure |
18x24
|
$
700
|
* Fees are for single figures
only and include simple vignette backgrounds and plain props such as chairs
for seated figures. For more elaborate backgrounds, complex jewelry or fabric,
paintings larger than 36x48 inches, or additional figures, there will be an
additional fee depending on size and complexity. You are also responsible for
any travel and living expenses incurred for me to come to your location (if
we agree that travel is necessary).
Deposit:
A non-refundable payment of thirty percent (30%) of the total fee plus any agreed
upon up front expenses is required prior to the commencement of the commission.
An additional thirty percent (30%) is due upon your approval of the charcoal
rendering or sketch upon which the painting will be done. The balance is due
upon your acceptance of the finished portrait.
Portrait
Procedure:
I will visit with you to discuss ideas for the portrait and assess your preferences
and style - painting size, figure positions, where you intend to display the
painting, etc. Clothing is an essential element of a portrait composition. We
can discuss and select elements from your or your subject's wardrobe that will
enhance the portrait. Occasionally I will encourage the purchase of special
clothing for a portrait. Suitable backgrounds for the painting can be located
in or around your home or city or developed in my studio if you prefer. I can
work from a photo you select, or I will take several rolls and we will select
the best photographs together. Also, location and travel permitting, I recommend
that we conduct one or more sittings to allow me to sketch positions and backgrounds,
and when the painting is nearly completed, to match skin tones more closely.
Materials:
I use only the best archival paint and structural materials. The materials and
workmanship of your painting are guaranteed - I will fix or replace your painting
in the event of a material failure of structure or workmanship. Like the old
master works, your painting should literally last for centuries. For paintings
smaller than 24x36 inches, I prefer to work on hardboard coated with bonded
marble gesso, or linen on hardboard. For paintings larger than 24x36 inches,
stretched canvas or linen is necessary, but it is more fragile than painting
on wood. If you prefer, I will gladly paint your painting on stretched canvas
or linen in any size.
Old
Master Reproductions:
I don't price reproducing an old master painting on this site because the variables
are too wide for me to accurately estimate the effort. Please contact me in
person (email) if you would
like to discuss a commission to reproduce an old master work and get a price
quote.
Framing:
If you prefer, I can assist you in selecting an appropriate frame for matching
particular display situations in your home, office, or another setting.